Saturday, May 04, 2013

Why I've Hesitated to Leave New York City

For the first time, I've hesitated to leave New York. I've left this city before, but I've never really looked backward as I went. Suddenly, all the memories, those indelible markers of a time gone by, have become vivid as if they're all happening simultaneously, presently. It's become clear that what I'd thought was maybe just a little forgettable was anything but.

Somewhat belatedly, I suppose I've realized that I haven't actually fallen out of love with New York, despite what I've told myself. From the moment my husband and I had discussed leaving - leaving for good - I'd convinced myself that New York and I were done. That I was sick of the noise, the crowds, the air that smells always of a dirty brown color. I'd convinced myself that I was finally ready for a long-distance relationship with the city I'd fallen in love with as a little kid growing up in Cincinnati.

But, today, the memories keep pulling me back, though I'm already gone.
Sunrise over Dumbo, Brooklyn

There was that first apartment in the big city with Lisa. I was twenty-two years young then and living on Park Avenue, working on Wall Street. I'd never worked so hard to make it to a place, and with Lisa, I felt like I'd arrived. I was so broke during those early days that I quietly helped myself to the leftovers she brought home from her job at Le Cirque, and that very hot summer of 1997 I dressed in front of the freezer because I couldn't afford to buy an air-conditioning unit.

Then there were George and Mike. Mike and Lisa and George and I tried to double-date, but where Mike and Lisa would briefly succeed, George and I would spend the better part of a decade in a When-Harry-Met-Sally friendship, always discussing the "What if", but never quite certain enough to actually explore it. All those years later, when George died suddenly, I'll never forget how New York rained and rained and rained. The city was colored perpetually gray then, and there was no way out of how devastated we all were.

For a while there, I'd even left New York. I'd lived in Asia and London. Now and again, I'd come home on business trips and being back in the city always felt, well, obvious, the way it feels to pull on a weathered old leather jacket that you've owned for so long you can't remember when and where you bought it. There were midnight slices of pie, surly bartenders with waxed moustaches calling themselves mixologists, and nights at home staring from my apartment to the city spread out below me and in front of me. There was that sense that anything was possible, and every conversation I had seemed to reflect just that. That's the sort of dialogue that takes place in New York City, a place where people come to make their dreams come true. I, however, had to leave to make my dreams come true.

So when I did come home, one last time supposedly for good, there were Christina and Katie and Hebe, who made me feel like I'd never left at all. They offered me exactly what New York offered me: the feeling of being home.

Of course, there were also new friends who quickly became old friends. Netta sat with me in the East Village the night before I'd briefly leave the city once again to follow a dream I'd been grappling with for many years. Together, we spun round and round on the giant sculpture in Astor Place, talking through just one more time what it meant to leave everything behind to follow a dream. Years later, Sonia and I would do the same. Despite the years in between the two friendships, the conversation was no different: what does it take, really, to leave all this behind?

And it was Meghan who answered. Meghan had said, presciently, many years earlier during a snowy night, a magical evening in an incandescent city blanketed in white, that, "If you stay here in New York, only one thing can happen. But if you go follow your dream, anything can happen." And so the going began again.
Manhattan Bridge, from Abhaya Yoga 

And the going-again took me to everywhere: Africa, Mongolia, North Korea, Tibet, Nepal. But the coming home was secretly my favorite part. Every October, I'd do my best to make sure I was home in New York. Every October, I'd find a cigarette, a single cigarette, and make my way to 9th Street between 5th and 6th Avenues and sit in the dusk on someone's stoop and light up. For a while there, it was my stoop. Later, it was someone else's, but it would always be my block. My block in my town in the crisp October air, street lamps twinkling a backdrop to whatever I was thinking at the time.

After a while though, I stopped noticing these things. I'd simply forgotten that I loved New York. I began to take my home for granted, grumbling about the noise, the crowds, and the air that smelled always of a dirty brown color. Besides, I'd fallen in love with someone else, with a man, in that spectacular way you do when you walk down an aisle and bring a baby into the world. Without thinking, I'd let go of New York. I'd said goodbye long before that day this week when I boarded an airplane and watched, one last time, as we taxied away from Manhattan.

Now I'm on the road, pondering all those moments in between. Wondering precisely when I'll return home. Knowing, really though, that home is about to be somewhere else, somewhere new, with its own set of moments in between.

I'll be blogging from the road, probably a tad less nostalgically?, in the weeks to come. First stop is Loveland, OH. Then China, Mongolia, and ultimately...New Zealand! Join me for the journey by liking "LIVE from Mongolia" on Facebook.

-Patricia Sexton is the author of "LIVE from Mongolia!", the true story of a woman chucking in her Wall Street career to follow her dream to become anchor of the Mongolian news. Her book will be published by Beaufort Books in the fall of 2013. Follow her on Twitter at "LIVE from Mongolia!"



Monday, April 22, 2013

Ludwig Persik: A Star Being Born

Vol. I, No. 8

Every once in a while you get to witness a star being born. Imagine if you'd had that chance with your favorite artist. What would it have been like to watch one of the greats rise from just a kid with raw talent to a truly remarkable household name? In Ludwig Persik, you can watch just that happening. He's on his way, and here's a sliver of his story...


Ludwig was five years old when he started making music. And I'm not talking about the kind of music you whip up on a Fisher Price plastic keyboard. I'm talking about Ludwig teaching himself to use his dad's four-track tape recorder to, as he puts it, "manipulate sound."

And he wasn't just making music. He was falling in love. With the art of music. At home, he memorized and sang the lyrics to everything from The Beatles to Velvet Underground's Heroin and Sex Pistols' Liar. Back then, Ludwig was growing up in Manhattan's Lower East Side, and for him, this music set the scene to his surroundings.

Anyway, by the time high school rolled around, Ludwig was a veteran of the music world. But he was still in school and he had to make a choice - to pursue his dream to make music, or to follow the more mainstream path of using his intellect to get into a good school. For me, someone who regularly profiles people following their dreams, Ludwig's inflection point is an interesting one: at a very young age, Ludwig had made an unusual realization, which was that he'd have to struggle in any competitive field in any career. So why not do what he loves and persevere in that competitive field?

So that's just what Ludwig decided to do. He formed a band and gave up his chance to study at an esteemed school. This was not without its moments though - moments of loneliness, tested faith, and "serious shedding of ego" as he says - but Ludwig managed to remain steadfast to his own path, realizing, as he says himself that "the grass is always greener when you generalize your own personal problems, pitting them against your own projections of the world outside your own."

Now Ludwig is once again embracing the fear of the unknown, using what he doesn't know to begin the next chapter in what he considers a lifelong path of learning. And what is that next chapter? Well, he has just gone on tour in Europe and America, playing solo and opening for Jamie Lidell. And, Ludwig has his first single coming out. It's called "No Go / Storm" (released by Iris Records) and it's debuting April 23. 

It's incredible - a star is being born. A haunting, elegiac star of a performer whose music will really stick to your ribs. 

Above is Ludwig's official music video for "Hallway Light". Follow him on Twitter and on his website at www.ludwigpersik.com. Buy his new album here

Thursday, March 21, 2013

Tian Hao Jiang: From Factory Worker to Opera Singer


Sinovision's WE Talk airs on Sundays at 8:25pm on WMBC and online 

Special Edition

Tian Hao Jiang spent six years working in a factory, until one day a chance meeting changed everything. As Tian puts it, "Three minutes changed my life." So how did this factory worker end up singing onstage at the NY Met with none other than Pavarotti? Click below to watch my WE Talk interview with opera great, Tian Hao Jiang. And if you've had an experience where a single moment changed the rest of your life, write me! Maybe your story will be next on LIVE from Mongolia!